Review of Phantom 2015 Full Movie: Another thing is that the film is made on such an issue that strikes correct notes with almost every Indian viewer. Undoubtedly, the film is too brave and energetic in its presentation, but the main thing it focuses on is the sacrifice of our brave Indian soldiers. For instance, the climax really left me emotional and I kept thinking about the film even when it was over. The film's fast-paced screenplay adds to the energy of the film. Believe me, there's not even a single moment of boredom.
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The film fills every, almost every, the viewer, full of energy and patriotism. Another thing that it isn't a controversial film at all. The songs are placed not for long and at right times only, as such films Indian at heart require some songs to convey the emotion. PHANTOM has a pleasant music, especially the song AFGHAN JALEBI, which is quite impactful and leaves you humming it. The editing is excellent and the locations are shot very well.
The action scenes are just amazing and wonderfully executed. The thrills in the storyline keep you on the edge of your seats. To be honest, PHANTOM also has such a patriotic flavor that no Indian would be able to actually resist watching this action-packed film. And plus, the violence isn't always intense, and so the film isn't unsuitable for young viewers. The film is rated UA and is family friendly, with no vulgarity or obscenity in any scene or dialogue.
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Before watching this film, what came to my mind was Kabir Khan's poorly executed EK THA TIGER, which was also supposed to be a racy espionage action thriller, but turned out to be romantic thriller instead. Happily, this thing doesn't happen in the case of PHANTOM and its focus remains only on its story and its message.
Being at the edge of my seat mentally to watch both Daniel Day-Lewis' and Vickey Kreps characters interact was absolutely satisfying. The character development and understanding of what love brings in life to its highest and lows can certainly be marked in this film.
Tremendous acting, formidable commitment to the role from Lewis, as always; a soft unassuming music, which sweetly envelopes you, creates an unforgettable atmosphere, but the message of the movie is utterly disgusting. I felt like Hollywood broke yet another ceiling in macabre perversion which it wants to set as a new standard... Or probably this movie is not of my taste, or maybe it's that I just "don't have a taste" as the movie suggests.
After four years that were felt like centuries for those who value and acclaim the simple but brutally intimate stories by Californian filmmaker Paul Thomas Anderson, who becoming lost in the pleasures of the world of short films, has decided to dust his director chair off and open a new text document with "Phantom Thread", an emblematic production which parades on the screen with grace, displaying a punishing overpowering magnificence that keeps alive the plot patterns of the engaging director's previous films in terms of his concentration and brilliant care building imperfect characters, drowned by their own desires, with the fatalistic hope of involuntarily following a poisonous dream.
Being at the edge of my seat mentally to watch both Daniel Day-Lewis' and Vickey Kreps characters interact was absolutely satisfying. The character development and understanding of what love brings in life to its highest and lows can certainly be marked in this film.
Tremendous acting, formidable commitment to the role from Lewis, as always; a soft unassuming music, which sweetly envelopes you, creates an unforgettable atmosphere, but the message of the movie is utterly disgusting. I felt like Hollywood broke yet another ceiling in macabre perversion which it wants to set as a new standard... Or probably this movie is not of my taste, or maybe it's that I just "don't have a taste" as the movie suggests.
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