Review of Seven Samurai 1954 Full Movie: A expert samurai, who has fallen on solid times, answers a village's apply for security as of bandit. He gathers 6 extra samurai to assist him, and they tutor the townspeople how to protect themselves, and they deliver the samurai with three petite meals a day. The movie culminates in a massive combat when 40 bandit hit the rural community.
One of my favourite movies, hands down. Truly an enjoyable watch, even for those that are not in to old movies or Japanese movies in general. The movie sports one funny goof, During the first scene when the people in the village are discussing what to do with the bandits, it's visible that they are wearing bald-wigs.
Even a fantastic movie such as this one is not without it's flaws. This movie has relatable characters, real intrigue and tension. Fantastic cinematography and a wonderfully based script. Highly recommended.
It's hard to heap more superlatives on this film given all those that it's received from countless critics and viewers over the years. It's certainly worthy of them. The story is perfect. The characters and acting are memorable. Director Akira Kurosawa has a fantastic sense of pace, and even at three and a half hours, every scene seems important. We're transported to 16th century Japan, a time when bandits terrorize the countryside and a village of farmers, but the film's themes are timeless.
As epic as the movie is, with a samurai team of six assembled one by one by its leader (Takashi Shimura), it would not have been the same without the seventh, a samurai-wannabe played by Toshiro Mifune. He's brash, exuberant, funny, brave, foolish, and heartfelt. He's in many brilliant scenes, but my favorite is when he describes what tricks the farmers may be up to, and we gradually understand that he himself was a farmer's son, with a tragic past. His performance is right up there with Brando in terms of intensity and honesty.
Kurosawa is smart in so many ways here, one of which is to orient the viewer to the village and its surroundings by showing the leader of the group plan its defense. In addition to Mifune's character, he also lightens the mood with the forbidden love between the young samurai apprentice (Isao Kimura) and a young woman masquerading as a boy (Keiko Tsushima). Their scene in the woodland flowers is gorgeous.
I love how the samurai are as tough as nails, but know they don't need to show it, and instead exude a sense of calm, playfulness, and understanding. With the exception of an extremely skillful and solemn swordsman (Seiji Miyaguchi), they smile in many scenes, and all of them accept the difficulty and danger of their fate. Despite their skill, they do not seek out violence. They are calm in moments of peace, intelligent in planning for battle, and brave and unflinching under attack. While the film and these character types have been emulated many times over the years, the difference between these samurai and western action heroes is still stark, and refreshing.
In this little village and the situation it faces, we see a microcosm of the world. Despite the mythic quality of a small outnumbered band of heroic samurai, the film has an authenticity to it. We see all of the very natural reactions to pressure. There are themes you might expect: honor, duty, discipline, and that sort of thing, but at its core, the message is the need to stand up to evil, and the great debt that we owe to those who have done so.
When it comes to all-time classic films, the title Seven Samurai gets thrown around a lot. Released in 1954, spawning many different versions as time went on, most notably the 1960 recreation known as The Magnificent Seven, Seven Samurai is not just your average epic. Taking its time to tell its brilliant, yet simple story to its audience, it was clear that director Akira Kurosawa expected a much maturer demographic. Released over 60 years ago, films of the 1940's and 1950's are very rarely talked about, with the exceptions of a few everlasting ones. People say that the likes of Citizen Kane or The Wizard of Oz are the best of the best from those decades, but not enough people talk about Kurosawa's masterpiece in Seven Samurai. Here is why I believe it is still one of the greatest films out there, even today.
While it is without question that its 206 minute running time can be daunting to some viewers, it just goes to show that the attention span for cinema has dwindled over the years. Upon its initial release, films featured intermissions approximately halfway through, thus giving the audience a bit of time to let everything sink in. Today's films have to rush everything into a maximum of two hours or its audience will begin to lose interest. It is sad but true, with the exception of a few greats. Giving just enough screen time to each and every one of the main characters, this film balances its cast perfectly. Utilizing its action sequences just as things may start getting a little boring, Kurosawa knows exactly where and when to place every scene. I admire this film for every risk it takes, and every one that it doesn't.
Although I mention that its pacing is slower due to the fact that it focusses on every character in order to make you care about them, Seven Samurai is also no stranger to exciting action sequences. Even though it is still brutal for the time, the shots composed throughout every epic action sequence feels rich and cared for. Not a frame of this film occurs without purpose and I cannot admire a film that does that enough. Seven Samurai makes you feel emotions that you never thought you would feel from watching a samurai epic. In the end, I was sucked in and put on the edge of my seat. Sure, watching this film nowadays, you can see the outcome from a mile away, due to the fact that many films have borrowed its story elements over the years, but for its time, the ending is simply beautiful.
The plot to this film is simple. A group of bandits threaten to steal all of the rice being harvested by farmers. Afraid of losing everything, they recruit seven samurai warriors to train with them in order to strike when the time comes. With a plot like this, you are looking at a 90 minute running time for any average movie with this plot nowadays, but the fact that this film takes its time to flesh out every character and tastefully stage its action sequences so that you care about everything that is going on, makes for even even greater experience. There are endless things to love about this classic picture.
In the end, this is a film that I can easily recommend to any cinema lover who doesn't mind a longer film. If you do not like sitting through lengthy films and you do not enjoy subtitles or cannot speak the languages spoken throughout the film, it may not be for you. That being said, this is a rich looking epic, with incredible direction, great performances for its time, a simple story told with vigour and care, as well as pacing that flies by if you are able to follow everything that is happening. I love this film from start to finish and it definitely deserves recognition as one of the greats. I quite simply do not have anything to complain about here. Seven Samurai is cinema at its best.
Setting up a story that would be reinterpreted hundreds of times by other film-makers, this original film from Akira Kurosawa is certainly epic. At three-and-a-half hours quite a lot happens, much of it is action-packed, but there are definitely some slower moments too. I actually didn't mind any of the times the action slowed down because they did such a superb job of establishing characters and making me care about what they were going through. The truly shocking thing about Seven Samurai is that this might be the first movie where I enjoyed the building of the team scenes more than the execution of their mission.
Slowly meeting each one of these samurai, and getting to know their individual personalities was wonderful. I struggled at times to differentiate the farmers from one another, but the samurai were the real leads of the film and I felt like I knew every one of them. The climax in the final act had some really great and satisfying moments, but there was also a lot of repetition. I felt that the small moments of one-on-one battle were infinitely more powerful than these huge masses of people running around and spearing each other. I even lost track a few times of who was killing who in those battle sequences.
I think there is a lot of brilliant stuff going on in this movie from a cinematography, costuming, and effects standpoint. It makes the movie look so alive and exciting. Just looking at the final shot makes you realize why this movie is so iconic. Seven Samurai is groundbreaking, and I suspect I might enjoy it more if I watch it again in the future. However, as I start to explore other films that reused the same story structure, I wonder if I will find that it's just easier for me to get attached to a shorter film where I don't have to read subtitles. That doesn't take away from this movie, but it shows how shallow my movie opinions can be sometimes. This is definitely a movie that I think movie fans should watch, even if it's just to see where all these ideas came from. Also the story is structured in such a way that, even though Seven Samurai is really long, you could easily watch it in smaller chunks without missing much.
Even a fantastic movie such as this one is not without it's flaws. This movie has relatable characters, real intrigue and tension. Fantastic cinematography and a wonderfully based script. Highly recommended.
It's hard to heap more superlatives on this film given all those that it's received from countless critics and viewers over the years. It's certainly worthy of them. The story is perfect. The characters and acting are memorable. Director Akira Kurosawa has a fantastic sense of pace, and even at three and a half hours, every scene seems important. We're transported to 16th century Japan, a time when bandits terrorize the countryside and a village of farmers, but the film's themes are timeless.
Kurosawa is smart in so many ways here, one of which is to orient the viewer to the village and its surroundings by showing the leader of the group plan its defense. In addition to Mifune's character, he also lightens the mood with the forbidden love between the young samurai apprentice (Isao Kimura) and a young woman masquerading as a boy (Keiko Tsushima). Their scene in the woodland flowers is gorgeous.
In this little village and the situation it faces, we see a microcosm of the world. Despite the mythic quality of a small outnumbered band of heroic samurai, the film has an authenticity to it. We see all of the very natural reactions to pressure. There are themes you might expect: honor, duty, discipline, and that sort of thing, but at its core, the message is the need to stand up to evil, and the great debt that we owe to those who have done so.
When it comes to all-time classic films, the title Seven Samurai gets thrown around a lot. Released in 1954, spawning many different versions as time went on, most notably the 1960 recreation known as The Magnificent Seven, Seven Samurai is not just your average epic. Taking its time to tell its brilliant, yet simple story to its audience, it was clear that director Akira Kurosawa expected a much maturer demographic. Released over 60 years ago, films of the 1940's and 1950's are very rarely talked about, with the exceptions of a few everlasting ones. People say that the likes of Citizen Kane or The Wizard of Oz are the best of the best from those decades, but not enough people talk about Kurosawa's masterpiece in Seven Samurai. Here is why I believe it is still one of the greatest films out there, even today.
While it is without question that its 206 minute running time can be daunting to some viewers, it just goes to show that the attention span for cinema has dwindled over the years. Upon its initial release, films featured intermissions approximately halfway through, thus giving the audience a bit of time to let everything sink in. Today's films have to rush everything into a maximum of two hours or its audience will begin to lose interest. It is sad but true, with the exception of a few greats. Giving just enough screen time to each and every one of the main characters, this film balances its cast perfectly. Utilizing its action sequences just as things may start getting a little boring, Kurosawa knows exactly where and when to place every scene. I admire this film for every risk it takes, and every one that it doesn't.
Although I mention that its pacing is slower due to the fact that it focusses on every character in order to make you care about them, Seven Samurai is also no stranger to exciting action sequences. Even though it is still brutal for the time, the shots composed throughout every epic action sequence feels rich and cared for. Not a frame of this film occurs without purpose and I cannot admire a film that does that enough. Seven Samurai makes you feel emotions that you never thought you would feel from watching a samurai epic. In the end, I was sucked in and put on the edge of my seat. Sure, watching this film nowadays, you can see the outcome from a mile away, due to the fact that many films have borrowed its story elements over the years, but for its time, the ending is simply beautiful.
The plot to this film is simple. A group of bandits threaten to steal all of the rice being harvested by farmers. Afraid of losing everything, they recruit seven samurai warriors to train with them in order to strike when the time comes. With a plot like this, you are looking at a 90 minute running time for any average movie with this plot nowadays, but the fact that this film takes its time to flesh out every character and tastefully stage its action sequences so that you care about everything that is going on, makes for even even greater experience. There are endless things to love about this classic picture.
In the end, this is a film that I can easily recommend to any cinema lover who doesn't mind a longer film. If you do not like sitting through lengthy films and you do not enjoy subtitles or cannot speak the languages spoken throughout the film, it may not be for you. That being said, this is a rich looking epic, with incredible direction, great performances for its time, a simple story told with vigour and care, as well as pacing that flies by if you are able to follow everything that is happening. I love this film from start to finish and it definitely deserves recognition as one of the greats. I quite simply do not have anything to complain about here. Seven Samurai is cinema at its best.
Setting up a story that would be reinterpreted hundreds of times by other film-makers, this original film from Akira Kurosawa is certainly epic. At three-and-a-half hours quite a lot happens, much of it is action-packed, but there are definitely some slower moments too. I actually didn't mind any of the times the action slowed down because they did such a superb job of establishing characters and making me care about what they were going through. The truly shocking thing about Seven Samurai is that this might be the first movie where I enjoyed the building of the team scenes more than the execution of their mission.
Slowly meeting each one of these samurai, and getting to know their individual personalities was wonderful. I struggled at times to differentiate the farmers from one another, but the samurai were the real leads of the film and I felt like I knew every one of them. The climax in the final act had some really great and satisfying moments, but there was also a lot of repetition. I felt that the small moments of one-on-one battle were infinitely more powerful than these huge masses of people running around and spearing each other. I even lost track a few times of who was killing who in those battle sequences.
I think there is a lot of brilliant stuff going on in this movie from a cinematography, costuming, and effects standpoint. It makes the movie look so alive and exciting. Just looking at the final shot makes you realize why this movie is so iconic. Seven Samurai is groundbreaking, and I suspect I might enjoy it more if I watch it again in the future. However, as I start to explore other films that reused the same story structure, I wonder if I will find that it's just easier for me to get attached to a shorter film where I don't have to read subtitles. That doesn't take away from this movie, but it shows how shallow my movie opinions can be sometimes. This is definitely a movie that I think movie fans should watch, even if it's just to see where all these ideas came from. Also the story is structured in such a way that, even though Seven Samurai is really long, you could easily watch it in smaller chunks without missing much.
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